Topic: Earth 1 v.s. Earth 2 v.s. Earth S

[Yeshu]

"The Shadow Kingdom" is a fantasy novelette by American writer Robert E. Howard, the first of his Kull stories, set in his fictional Thurian Age. It was first published in the pulp magazine Weird Tales in August 1929.

The subjects of masks and identity are repeated throughout the story. The most obvious instance of this is the Serpent Men's ability of disguise through magic and their use of this to steal identities at will.

Kull, as a barbarian, sees the diplomacy and politics of Valusia (and the others of the Seven Empires) as a form of illusion. Early in the story, before the Serpent Men appear, Kull's thoughts on the matter are described:

"Strange to him were the intrigues of court and palace, army and people. All was like a masquerade, where men and women hid their real thoughts with a smooth mask."

Musing on his own identity later in the story, Kull extends the mask metaphor to himself:

"Was it the real Kull who sat upon the throne or was it the real Kull who had scaled the hills of Atlantis, harried the far isles of the sunset, and laughed upon the green roaring tides of the Atlantean sea? How could a man be so many different men in a lifetime? For Kull knew that there were many Kulls and he wondered which was the real Kull. After all, the priests of the Serpent went a step further in their magic, for all men wore masks, and many a different mask with each different man or woman; and Kull wondered if a serpent did not lurk under every mask.'

This is touched on again shortly afterwards when, on seeing a Serpent Man masquerading as himself, Kull is momentarily confused:

"He stepped back, his mind reeling. 'This is insanity!' he whispered. 'Am I Kull? Do I stand here or is that Kull yonder in very truth, and am I but a shadow, a figment of thought?'"

Michael Barkun, professor of political science at Syracuse University, posits that the idea of a reptilian conspiracy originated in the fiction of Conan the Barbarian creator Robert E. Howard, in his story "The Shadow Kingdom", published in Weird Tales in August 1929. This story drew on theosophical ideas of the "lost worlds" of Atlantis and Lemuria, particularly Helena Blavatsky's The Secret Doctrine written in 1888, with its reference to "'dragon-men' who once had a mighty civilization on a Lemurian continent".

Howard's "serpent men" were described as humanoids (with human bodies and snake heads) who were able to imitate humans at will, and who lived in underground passages and used their shapechanging and mind-control abilities to infiltrate humanity. Clark Ashton Smith used Howard's "serpent men" in his stories, as well as themes from H. P. Lovecraft, and he, Howard and Lovecraft together laid the basis for the Cthulhu Mythos.

In the 1940s, American occultist Maurice Doreal (also known as Claude Doggins) wrote a pamphlet entitled "Mysteries of the Gobi" that described a "serpent race" with "bodies like man but...heads...like a great snake" and an ability to take human form. These creatures also appeared in Doreal's poem "The Emerald Tablets", in which he referred to Emerald Tablets written by "Thoth, an Atlantean Priest king". Barkun asserts that "in all likelihood", Doreal's ideas came from "The Shadow Kingdom", and that in turn, "The Emerald Tablets" formed the basis for David Icke's book, Children of the Matrix.