Topic: Megha Raga

[Nichi]

And now we dance to bring on the monsoons...

[Nichi]

[Nichi]

[Nichi]

[Nichi]

As with the dance-posture in the madhumadhavi paintings, there is a design especially evident in this rendition of megh, that brings about a speculation that there is a symbology running through these paintings which departs from the music and the nayika themes.

But I'll be darned if I can find anyone writing on that aspect. So it's just me.

It's almost as if these paintings could be worked into a magical compendium, comparable to a tarot deck.  This one would be the Magician, I fancy.

[Nichi]

Megha top/Bhairavi bottom

[Nichi]

[Nichi]

[Nichi]

[Michael]

I like this, but I can't say why.

[Nichi]

I like this, but I can't say why.

   In Vicki-land -- distinguishable from la-la land, though some would argue otherwise -- you are not required to say why.

That being said, though, on that one I like the detail on the foliage and the overall fluidity.

[Michael]

Maybe its the cleanliness, such a contrast to India.

[Nichi]

Ragas in Indian Monsoon
M e g h – M a l h a r

Indian Ragas are played at certain times (day/night) or seasons (Ritu). The Ragas of the seasons and Monsoon (beginning of July till October) can be played at every day and night time.

date of broadcasting…
26th December 2011 – 10:00-11:00 p.m. CET (04:00 EST) @ Radio RaSA (CH)
(premiere: 2nd Oct 2007 (09:00 pm CET) @ Tide Radio)
broadcasting plan | streaming (Internet Radio & Mobile Radio) | podCast

 In Hindustani music, the North Indian classical style, the strongest expression of Raga compositions appears to the rain season. The range of the emotional expression from “majestic” (veer Rasa), “pathetic” (Karuna), joyful (Sringar) to “in isolation imprisoned” (Viraha-Sringar).

central Kolkata (India) after a monsoon rainsouth-west monsoon rain in Kerala - IndiaIndian Ocean Monsoon clouds over Howrah Bridge - KolkataMonsoon clouds over Lucknow - IndiaMonsoon in the Vindhya mountain range, central India
Indian Monsoon @ Wikipedia

In India the rain season (Megha – Barkha Ritu) lies between hot summer season (Bhairavi) and autumn (Pancham). With Monsoon time (Varsha Ritu) the post Monsoon (Sharad Ritu = autumn) is connected. Sharad Ritu begins at the full moon time in October (in 2007 on 10/10/).

The deep doing solidarity of the Indian population with nature is particularly expressed by the Monsoon ragas which can cover/express the whole nuances and shades of human emotions. – It’s characteristic for Indian culture to be inspired from the nature world does nature on it’s own reflect the Divine.

Indians associate the Monsoon with heavy, dark clouds, hoists (strong winds), rain, flash lightning and the ‘get together’ of lovers on thunderstorm evenings, a frequent motive in Bollywood scores. Particularly the characteristics of Monsoon is awarded for let be the loving most romantically.

In the time of post Monsoon – Sharad Ritu – dominate hunting melodies and singing with themes of cloud-imposed moons, cool nights, Krishna, loving and be-loved ones.

The term Malhar (Mallar or Malaar) is co-relating with the season of the rain. Malhar means “that one, which washes away the dirt”. For Indian Monsoon preferentially Raga s from the Malhar group are performed.

The Raga Malhar expresses the joy of the bloom time. It is a peacefully and refreshing Raga, with a seven (7) note scale, a complete Raga. Outside of the rain time the Malhar Ragas can be sung & played at the late evening hour or in early morning.

Over centuries Raga Megh was the main raga of the Malhar family. Later (and until today) Megh has been replaced of Raga Miyan ki Malhar.

http://imcradiodotnet.wordpress.com/category/raga-cds-of-the-months/eng-english/page/3/

[Qarille]

Stunning!  the subtle distinctions within a season was an eye opener. Thanks!

[Nichi]

Malar Ragini: Krishna Playing the Flute to Seven Gopis Holding Musical Instruments, from the Ragamala Series, c. 1760. India, Rajasthan, Bundi-Kota, 18th century.