Author Topic: south africa  (Read 416 times)

Offline daphne

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south africa
« on: May 18, 2008, 01:21:28 AM »
There really isn't one culture in South Africa.. it is so very diverse. I will begin by posting a blurb from the internet, and then will also add to the thread my own experiences with the different cultures that make up South Africa.

"African" culture today is a real mix in the cities, although simmering underneath it all, the rawness and wildness and alienness of Africa to my western mind, shows itself. In the rural areas, it's like another era. One really never knows how much of the "culture" of today is due to the repressive years of Apartheid and colonization, and how much of it is due to a difference cultivated over divergent world views.

Africa is neither "western" nor 'eastern", when I think of it truly, it can seem rather alien.

"Wildlife, wild times and a culture in repair.

South Africa is an exhilarating and complex country. With its post-apartheid identity still in the process of definition, there is undoubtedly an abundance of energy and a sense of progress about the place. Travellers are returning to a remarkable land that has been off the trail for way too long.

The infrastructure is constantly improving, the climate is kind and there are few better places to see Africa's wildlife. But if you want to understand South Africa, you'll have to deal with the full spectrum; poverty, the AIDS pandemic and violence remain a problem.
"

"The compulsion to possess and hold on to things is not unique. Everyone who wants to follow the warrior's path has to rid himself of this fixation in order not to focus our dreaming body on the weak face of the second attention." - The Eagle's Gift

Offline daphne

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Re: south africa
« Reply #1 on: May 18, 2008, 01:23:47 AM »
South Africa and its Culture

Culture in South Africa is about as diverse as it can come. South Africa is a multiracial society and defining distinct subgroups by skin colour only will potentially get you into trouble. Those of Afrikaner and British descent won't be too happy to be confused with one another, and there are several major and many minor groupings in the traditional black cultures.

The mingling and melding in South Africa's urban areas, along with the suppression of traditional cultures during the apartheid years, means that the old ways of life are fading, but traditional black cultures are still strong in much of the countryside. Across the different groups, marriage customs and taboos differ, but most traditional cultures are based on beliefs in a masculine deity, ancestral spirits and supernatural forces. In general, polygamy is permitted and a lobolo (dowry) is usually paid. Cattle play an important part in many cultures, as symbols of wealth and as sacrificial animals.

The art of South Africa's indigenous populations can be one of the only ways to connect with lost cultures. Rock and cave paintings by the San, some of which date back 26,000 years, are a case in point. In other cases, such as the elaborate 'coded' beadwork of the Zulus, traditional art has been adapted to survive in different circumstances. Zulu is one of the strongest surviving black cultures and massed Zulu singing at Inkatha Freedom Party demonstrations is a powerful expression of this ancient culture. The Xhosa also have a strong presence; they are known as the red people because of the red-dyed clothing worn by most adults. The Ndebele are a related group, who live in the north-western corner of what is now Mpumalanga in strikingly painted houses.

The Afrikaners' distinct culture has developed in a deliberate isolation, which saw them wandering around with cows and the Bible while 19th-century Europe experimented with democracy and liberalism. Today's rural communities still revolve around the conservative Dutch Reformed Churches, but 'Afrikaner redneck' is far from a tautology.

Aside from the Afrikaners, the majority of European South Africans are of British extraction. The British are generally more urbanised and have tended to dominate the business and financial sectors. The Afrikaners (more or less rightly) feel that they are more committed to South Africa, and have a charming term for the man with one foot in South Africa and one in Britain: soutpiel or salt dick (and his penis dangling in the ocean). There is also a large and influential Jewish population and a significant Indian minority.

The British can take most of the blame for the food dished up in South Africa, although the situation is improving dramatically. Steak or boerewors sausage, overboiled vegies and chips are the norm, and where the food gets more adventurous it often turns out pretty scary. Vegetarians will not have a good culinary time. African dishes are not commonly served in restaurants, although you can get a cheap rice and stew belly-filler from street stalls in most towns. Beer and brandy are the popular swills, and South Africa's excellent wines are becoming more and more popular.

Although South Africa is home to a great diversity of cultures, most were suppressed during the apartheid years when day-to-day practice of traditional and contemporary cultures was ignored, trivialised or detroyed. In a society where you could be jailed for owning a politically incorrect painting, serious art was forced underground and blandness ruled in the galleries and theatres. The most striking example of this was the bulldozing of both District Six, a vibrant multicultural area in Cape Town, and Johannesburg's Sophiatown, where internationally famous musicians learned their craft in an area once described as 'a skeleton with a permanent grin'. Groups such as Ladysmith Black Mambazo have managed to bring South Africans sounds to a wide Western audience, both during and after apartheid.

One of the most exciting aspects of the new South Africa is that the country is in the process of reinventing itself and, with such a large proportion of the population marginalised from the economic mainstream, this is occurring without much input from professional image makers. Hopeful signs include gallery retrospectives of black artists, both contemporary and traditional, and musicians from around Africa performing in major festivals. The new South Africa culture is being created on the streets of the townships and cities.



"The compulsion to possess and hold on to things is not unique. Everyone who wants to follow the warrior's path has to rid himself of this fixation in order not to focus our dreaming body on the weak face of the second attention." - The Eagle's Gift

Offline daphne

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Re: south africa
« Reply #2 on: May 18, 2008, 01:37:25 AM »
One of the things that most "touristy" blurbs seldom (if ever) mention, is the new "race group" of the Coloureds. This is a huge population group that has grown out of the pot that is Southern Africa. They are probably the real "rainbow nation".

Not accepted by the whites, and not accepted by the Blacks, and lacking an "identity", they have had to find their own way, many getting lost in the process. It is, however, an interesting culture in that it shows perhaps how a 'culture' forms its own when "assimilation" is not that easy. Looking at that, can show the process in the happening. More often we see cultures that have already formed.
"The compulsion to possess and hold on to things is not unique. Everyone who wants to follow the warrior's path has to rid himself of this fixation in order not to focus our dreaming body on the weak face of the second attention." - The Eagle's Gift

nichi

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Re: south africa
« Reply #3 on: May 20, 2008, 08:58:17 AM »

Offline daphne

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Re: south africa
« Reply #4 on: May 20, 2008, 01:42:08 PM »
We've been having a spate of zenophobia here for the past week - ugly violence.
South Africa is home to many "illegal aliens", even to some "legal" aliens; but they are nevertheless seen as "aliens". There is a strong ethnic undercurrent here, even though at many times, people can unite together. One of the things that unites them, is zenophobia, and often they will stop fighting amongst each other and turn on the stranger in their midst. It is hard to understand, and yet one sees it all over Africa, not just here.
The biggest problem we have with it is with the locals and the Zimbabweans. This past week it errupted and the locals went on a rampage. Recently, the 'aliens' have been fighting back, for their lives. We have a huge influx of Zimbabweans here, due to the situation in Zimbabwe. It strikes me as strange that so many fled this country in it's apartheid era, to other countries in Africa, and yet when the reverse is happening, they are not welcoming to those who seek refuge status.
The recent violence has made our government have to start taking steps as to what to do. They are rather like ostriches, which heads in the sand. There is no crisis anywhere, no aids, no hunger...

There are good parts to the culture here too. Just that currently it is hard to see it. The land is awesome; open, wild, and with pockets of serenity. I suppose in a way that mirrors the people and culture too.

Many have said that the local population is losing contct with it's culture. That is something the different cultures all agree on and they are trying to bring back some connection to a cultural heritage. The cities and towns are so very different to the rural areas - remarkable so. The disconnection from culture cause not only loss of identity, but also losses in many other ways. A new culture is trying to evolve, but without strong roots... who knows what it'll be.

Looking around, as I do everyday, I remind myself that I am "living through history".

"The compulsion to possess and hold on to things is not unique. Everyone who wants to follow the warrior's path has to rid himself of this fixation in order not to focus our dreaming body on the weak face of the second attention." - The Eagle's Gift

Jahn

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Re: south africa
« Reply #5 on: May 21, 2008, 04:26:53 AM »
We have a huge influx of Zimbabweans here, due to the situation in Zimbabwe.

Inflation rate -several 1000 percent per year.
Elections - close to a farse.

As I have said many times the last years, ever since they killed the white mens dogs and took their property under the disguise of some good cause, Zimbabwe is one of the worst place to live worldwide. Mugabe is a disaster for his own country and he is a stereotype dictator. Rules by violence, fear and terror. Unfortunately this is a part of Africa that has so much other countries with sever social disorders, conflicts and corruption. Darfur, Sudan, Somalia,Kenya ...

Offline daphne

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Re: south africa
« Reply #6 on: May 21, 2008, 04:38:52 AM »
Music and dance - from the traditional to the modern


















"The compulsion to possess and hold on to things is not unique. Everyone who wants to follow the warrior's path has to rid himself of this fixation in order not to focus our dreaming body on the weak face of the second attention." - The Eagle's Gift

Offline daphne

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Re: south africa
« Reply #7 on: May 21, 2008, 04:46:58 AM »
Inflation rate -several 1000 percent per year.
Elections - close to a farse.

As I have said many times the last years, ever since they killed the white mens dogs and took their property under the disguise of some good cause, Zimbabwe is one of the worst place to live worldwide. Mugabe is a disaster for his own country and he is a stereotype dictator. Rules by violence, fear and terror. Unfortunately this is a part of Africa that has so much other countries with sever social disorders, conflicts and corruption. Darfur, Sudan, Somalia,Kenya ...

Our government is finally acknowledging that zenophobia is a real occurance. They are actually "embarrased" that in South Africa, the potential 'leader' (as they see it) of the rest of Africa in multi-cultural integration, that what is happening can no longer be denied. The HRC is calling for an investigation into the underlying reasons for zenophobia, and saying that education may not be sufficient.

The strange thing about it all is that it has also swept up against other ethnic tribes who are actually within the borders of South Africa, not only those from other countries in Africa.
"The compulsion to possess and hold on to things is not unique. Everyone who wants to follow the warrior's path has to rid himself of this fixation in order not to focus our dreaming body on the weak face of the second attention." - The Eagle's Gift

Offline daphne

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Re: south africa
« Reply #8 on: May 21, 2008, 04:57:26 AM »
side by side








"The compulsion to possess and hold on to things is not unique. Everyone who wants to follow the warrior's path has to rid himself of this fixation in order not to focus our dreaming body on the weak face of the second attention." - The Eagle's Gift

Offline daphne

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Re: south africa
« Reply #9 on: May 21, 2008, 05:08:25 AM »
separate but equal








"The compulsion to possess and hold on to things is not unique. Everyone who wants to follow the warrior's path has to rid himself of this fixation in order not to focus our dreaming body on the weak face of the second attention." - The Eagle's Gift

Offline daphne

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Re: south africa
« Reply #10 on: May 21, 2008, 05:51:36 AM »
Credo Mutwa is a rather controversal figure in South Africa. The highest ranking sangoma in South Africa - a sanusi - he is also a prophet, mystic, poet, sculptur, author, and though an activist, totally apolitical. He is a Zulu medicine-man, and custodian of tribal lore and customs. No one is really quite sure if he is for 'real' or a charlatan. He has as many followers as he has detractors, but that is not unusual amongst sangomas here.

He has written African tales which have their roots in oral, traditional Zulu culture. Two well known collections of these stories are Indaba My Children (1966) and My People: writings of a Zulu Witchdoctor (1969).



The Origins of the Gods - Credo Vusamazulu Mutwa

"In many western countries, when an old person dies it is simply the death of an old human being who has gone through life and whose days on earth now come to an end. But in Africa, the death of an elder- an old man or an old woman, becomes a supreme disaster because in the mind of that elder often carries knowledge passed down from parent to child. Knowledge that is not only valuable to Africa and her children, but to human kind as a whole. No matter where you go in Africa, no matter how deep into the interior of the dark continent you tread, you will find very ancient stories which are incredibly similar.You will find African tribes and races who will tell you that they are descendants from gods who came out of the skies thousands of years ago. Some however say that theses gods came to them from the sea in magical boats made out of reeds or wood or copper or even gold. In some cases these gods and goddesses are described as beautiful human beings whose skins were either bright blue or green or even silver. But most of the time you will find it being said these great gods, especially the ones that came out of the sky were non human, scaly creatures, which lived most of the time in mud or in water. Creatures of an extremely frightening and hideously ugly appearance. Some say that these creatures were like crocodiles, with crocodile like teeth and jaws, but with very large round heads. Some say that these creatures are very tall beings with snake like heads, set on long thin necks, very long arms and very long legs. There are those that tell us that these gods who came from the skies travelled through the lend in magical boats made of bright metal, silver, copper or gold. Boats which had the ability to sail over water or even to fly through the sky like birds.

It is further said that some of these sky gods carried their souls in little bags which hung from their belts. These souls being in the form spheres of crystals clear material. Spheres which could float about in the air, and which emitted a dazzling light. A light which could illuminate an entire village at night. We are told that some very brave African chiefs used to hold these great gods hostage simply by snatching their little shiny soul globes away from them and hiding them in holes deep in the ground.

Throughout Africa we are told that these mysterious beings taught human beings many things. They taught human beings how to have laws, knowledge of herbal medicine, knowledge of arts and knowledge of the mysteries of creation and the cosmos as a whole. We are told that some of these gods had the ability to change their shapes at will. They had the ability to assume the shape and the appearance of any creature that there is on earth whenever they had good reason to do so. A sky god could even turn itself into a rhinoceros and elephant or even a stork, a sky god could even turn turn itself into a rock or even a tree.

We are told that some of the gods used to travel through the sky in swings made out of brightly coloured lengths of rope. The Wutwa people of the forests of the Congo told me about one such god, who swung through the sky on a swing whose ends were attached to the clouds in the sky and who could go anywhere, no matter how far away, and come back before sunset on his magical swing.

In Africa these mysterious gods are known by various names, in West Africa, in the land of the Bumbara people these amphibian or reptilian sky gods are known as Zishwezi. The word zishwezi means either the swimmers or the divers or the gliders. It was said that these sky gods could dive from above the clouds down to the top of a mountain whenever they felt like it, they could also take deep dives into the bottom of the ocean and from there fetch magical objects and then bring them to the shore, placing them at the feet of the astonished black people.

In West Africa again, these creatures are called the Asa, which means the mighty ones of magic. It is from this word asa, a word that speaks great magical power that comes the name Asanti, which means a king, but literally means, the child of asaand as you know Asanti gave birth to the word, Ashanti.

In the land of the Dogon people we find the famous Nommo, a race of reptilian or amphibian beings who were said to have come from the Sirius star to give knowledge and religion to the black people of Dogon. Incidentally, scientists have never explained the meaning of Dogon; it means God Almighty and the Dogon people know themselves as the children of the God Almighty.

There are tribes in various parts of Africa which regard themselves as God’s chosen people. These tribes call themselves by a name which means god. In South Africa there is a tribe that calls itself the Tonga,and another very large group which calls itself the Tsonga. And in Zimbabwe there are two tribes ,one of which is called the Batonga, and another that is called the Tongaila. The name Tonga, Tsonga or Donga means people of god and you will find these people living in some of the holiest and most spiritual places in Africa. For example, the Matonga people of Northern Zululand live in the area of the sacred St Lucia Lake which is believed by the Zulu people and other tribes in Natal to be the place where, hundreds of years ago, the great earth mother arrived in a boat of reeds, accompanied by her son and his two wives.

And she came to give laws, culture, religion as well as healing arts, and other mysteries to human beings. It is said that the great earth mother was a huge woman, very, very fat with bright green skin and so was her son and his two wives. There once existed in Zimbabwe a very sacred place called Kariba Gorge, which is now covered by a huge lake as a result of the damming of the Zambezi River at this place. In Kariba Gorge there lived two remarkable tribes, the Batonga, which means people of God, and the more remarkable tribe whose name is the Tongaila. Tonga as you know means God, but the word Ila also means god, thus the Tongaila people are called the people of the God Ila- the wise old god, who according to some stories created the earth and everything in it. The Tonga and the Tongaila used to tell me that not only are the chosen people sent by God to guard the Kariba Gorge, but they are also in yearly touch with the great gods who come from the stars, whom they call the Bananaila, the children of Ila. Now let us go to West Africa for a while, in the land of the Dogon, there, one is told that when the Nommo arrived from the sky in their fantastic sky ship, there were several of them, thirteen or fourteen of them. And they created a lake around their sky ship and every morning they used to swim from their sky ship to the shores of the lake and there preach to the people who assembled in large numbers around the lake. It is said that before the Nommo departed, returning with a great noise back to their home star, they first chose one of their number, killed it and cut its body up into little pieces and then gave these pieces to the assembled people to eat in the first sacrificial ritual of its kind on earth. When the people had eaten the sacred flesh of the star creature and drunk its blood mixed with water, the Nommo took the lower jaw of their creature and by some incredible fact of magic brought the whole creature back to life again. We are told that this is the way that the Nommo taught our people that there is no death and that behind every death there shall be a resurrection.

And also that an individual must sometimes sacrifice himself or herself for the good of the community. It is the Nommo, we are told that taught the people of Africa about the mysteries of reincarnation, about the belief that, that which goes away, gone off on the wings of death, will always come back again on the fragrant wings of life. In the land of Nigeria, we hear of how the great mother goddess, Mawi gave birth to human beings after having created the world, and that after a number of centuries, people on earth became filled with selfishness and other forms of negative behaviour and the great mother who was now in the land of the gods, sent down her daughter, Gabato, to earth to once more place human beings upon the path of righteous. It is said hat Gabato arrived on earth in the mouth of a great serpent with all the colours of the rainbow, And this serpent, crawled all over the earth, and such was its size and so great was its weight that wherever it went it created gorges and valleys and canyons. What I found was very astonishing, was that in many countries of the world, amongst the aborigines of Australia, and amongst the native people of the Americas, as in Africa, you find belief in the rainbow serpent. And you also find belief in the feathered serpent.

In the Americas, in South and Central America mostly, the feathered serpent is called Quetzalcoatl, and amongst my people, the Zulus, we find belief in a serpent called Yndlondlo. The Yndlondlo is said to be a huge mamba or a huge python, whose neck is covered in greyish blue feathers, like the feathers of a blue crane, and at the top of the serpents head grow three feathers. One green one, one red one and a white one which look like huge ostrich tail feathers. The Yndlondlo, like the (South) American Quetzalcoatl, is associated with God the Son.


"The compulsion to possess and hold on to things is not unique. Everyone who wants to follow the warrior's path has to rid himself of this fixation in order not to focus our dreaming body on the weak face of the second attention." - The Eagle's Gift

Offline daphne

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Re: south africa
« Reply #11 on: May 21, 2008, 06:07:16 AM »
The Ancestors - unKulunkulu



The hut of the Ancestors are thought to live in the spirit world of unkulunkulu (the greatest of the great) and are regarded as intermediaries between the living and the spirit world. As a consequence, they are praised and offerings are made to them.

Should something untoward occur, the sangoma (spiritual healer) is consulted to determine whether the event has been caused by witchcraft (in which case there is a witch-hunt) or failure to appease the spirits. In the latter case, a sacrifice is made whilst complaining at the apparent attitude of the spirit.

Spirits are thought to exist also in animals and in the forest and in caves. A female spirit - inkosazana - is thought to make maize grow and is fêted in the spring.

It is believed that all ancestors must be kept in the memory of the family otherwise, if forgotten, they may seek to be remembered by visiting trouble on them.

The Inyanga



Incorrectly thought of as the witch doctor, the inyanga is the doctor of the tribe - more correctly, the naturopath. Each inyanga trains his son and the information is thus passed on from generation to generation.

Both plant and animal parts are used in the remedies and Zulu people will travel long distance to see an inyanga - in fact 80% of the Zulu population still consult inyangas. Remedies for unsatisfactory love lives and such things as protection against lightning are also dispensed. 

The Sangoma



Whereas the Inyanga treats physical disease, the Sangoma is concerned with the psychic world but may use similar media. The sangoma is charged with ascertaining the cause of bad events, of protecting the clan against evil spirits and of exposing antisocial individuals.

In former times the training took approximately twenty five years. Today, as a rule, the training period covers a span of five to seven years - in cities, frequently only several months. The sangoma may otherwise lead a normal life and perhaps have a second 'job'.



The Zulus believe their daily lives are guided by the spirits of their ancestors, or Amadlozi, and make sacrifices to them to ensure that they look favorably upon them.

Ancestors are only seen in dreams, and a diviner or sangoma alone has special powers to communicate with them. People consult a sangoma if a simple sacrifice has failed to bring about the desired results.

Diviners are called to their profession by their ancestors, and at first are apprenticed to a teacher and trained to contact the ancestral spirits as a source of inspiration. This enables them to diagnose misfortune and illness. They also locate lost or stolen objects and tell fortunes through a medium of bone-throwing.

In this profession women outnumber the men, who have adopted a distinctive beaded attire of their female counterparts - the long wigs threaded with white beads and crossed breast bands of animal skin. Topping their headdresses are inflated bladders of animals which have been sacrificed to ancestors in order to augment the wearers 'power of sight' into the spiritual world. This regalia sets the diviners apart from ordinary members of society and proclaims their supernatural powers.

The belief that they alone are able to mediate between people and their ancestral spirits gives them considerable influence.

The beads on a sangoma's headdress are said to be strung in loops so that the spirits they call have somewhere to sit as they speak into their ears.

A sangoma often works in conjunction with a herbalist or traditional medicinal healer known as an iNyanga.




"The compulsion to possess and hold on to things is not unique. Everyone who wants to follow the warrior's path has to rid himself of this fixation in order not to focus our dreaming body on the weak face of the second attention." - The Eagle's Gift

nichi

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Re: south africa
« Reply #12 on: May 21, 2008, 06:08:46 AM »
Quote
.....but equal

heh.
 8)

Offline daphne

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Re: south africa
« Reply #13 on: May 21, 2008, 06:12:40 AM »
"The compulsion to possess and hold on to things is not unique. Everyone who wants to follow the warrior's path has to rid himself of this fixation in order not to focus our dreaming body on the weak face of the second attention." - The Eagle's Gift

Offline daphne

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Re: south africa
« Reply #14 on: May 21, 2008, 06:22:57 AM »
God Bless Africa (Nkosi Sikeleli Africa)- Children of Africa



      Original Lovedale English Translation

      Lord, bless Africa;
      May her horn rise high up;
      Hear Thou our prayers And bless us.

      Chorus
      Descend, O Spirit,
      Descend, O Holy Spirit.

      Bless our chiefs
      May they remember their Creator.
      Fear Him and revere Him,
      That He may bless them.

      Bless the public men,
      Bless also the youth
      That they may carry the land with patience
      and that Thou mayst bless them.

      Bless the wives
      And also all young women;
      Lift up all the young girls
      And bless them.

      Bless the ministers
      of all the churches of this land;
      Endue them with Thy Spirit
      And bless them.

      Bless agriculture and stock raising
      Banish all famine and diseases;
      Fill the land with good health
      And bless it.

      Bless our efforts
      of union and self-uplift,
      Of education and mutual understanding
      And bless them.

      Lord, bless Africa
      Blot out all its wickedness
      And its transgressions and sins,
      And bless it.



      Classic Xhosa Version

      The first verse and chorus of this version are the original words composed by Sontonga in 1897. The remaining verses were added in 1927 by Samuel E Mqhayi.

      Nkosi, sikelel' iAfrika;
      Malupakam'upondo lwayo;
      Yiva imitandazo yetu
      Usisikelele.

      Chorus
      Yihla Moya, Yihla Moya,
      Yihla Moya Oyingcwele

      Sikelela iNkosi zetu;
      Zimkumbule umDali wazo;
      Zimoyike zezimhlonele,
      Azisikelele.

      Sikelel' amadod' esizwe,
      Sikelela kwa nomlisela
      Ulitwal'ilizwe ngomonde,
      Uwusikelele.

      Sikelel'amakosikazi;
      Nawo onk'amanenekazi;
      Pakamisa wonk'umtinjana
      Uwusikelele.

      Sikelela abafundisi
      Bemvaba zonke zelilizwe;
      Ubatwese ngoMoya Wako
      Ubasikelele.

      Sikelel'ulimo nemfuyo;
      Gxota zonk'indlala nezifo;
      Zalisa ilizwe ngempilo
      Ulisikelele

      Sikelel'amalinge etu
      Awomanyano nokuzaka,
      Awemfundo nemvisiswano
      Uwasikelele.

      Nkosi Sikelel' iAfrika;
      Cima bonk' ubugwenxa bayo
      Nezigqito, nezono zayo
      Uyisikelele.
« Last Edit: May 21, 2008, 06:28:08 AM by daphne »
"The compulsion to possess and hold on to things is not unique. Everyone who wants to follow the warrior's path has to rid himself of this fixation in order not to focus our dreaming body on the weak face of the second attention." - The Eagle's Gift

 

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