Topic: Silent Knowledge

[Yeshu]

      "Turn everything into what it really is: the abstract, the spirit, the nagual. There is no witchcraft, no evil, no devil. There is only perception.

      Your assemblage point can move beyond the place of no pity into the place of silent knowledge. To manipulate it yourself means you have enough energy to move between reason and silent knowledge at will. If a sorcerer has enough energy--or even if he does not have sufficient energy but needs to shift because it is a matter of life and death--he can fluctuate between reason and silent knowledge.

      You have to be able to explain knowledge to yourself before you can claim that it makes sense to you. For a movement of your assemblage point to make sense, you will need to have energy to fluctuate from the place of reason to the place of silent knowledge.   

      One way to talk about the perception attained in the place of silent knowledge is to call it "here and here."

      Ancient man knew, in the most direct fashion, what to do and how best to do it. But, because he performed so well, he started to develop a sense of selfness, which gave him the feeling that he could predict and plan the actions he was used to performing. And thus the idea of an individual "self" appeared; an individual self which began to dictate the nature and scope of man's actions.

      As the feeling of the individual self became stronger, man lost his natural connection to silent knowledge. Modern man, being heir to that development, therefore finds himself so hopelessly removed from the source of everything that all he can do is express his despair in violent and cynical acts of self-destruction. The reason for man's cynicism and despair is the bit of silent knowledge left in him, which does two things: one, it gives man an inkling of his ancient connection to the source of everything; and two, it makes man feel that without this connection, he has no hope of peace, of satisfaction, of attainment.

      Silent knowledge is a general position of the assemblage point. Ages ago it was man's normal position, but, for reasons which would be impossible to determine, man's assemblage point moved away from that specific location and adopted a new one called "reason."

      The place of no pity, being another position of the assemblage point, is the forerunner of silent knowledge, and yet another position of the assemblage point called "the place of concern," is the forerunner of reason.

      The third point of reference is freedom of perception; it is intent; it is the spirit; the somersault of thought into the miraculous; the act of reaching beyond our boundaries and touching the inconceivable.

      In terms of his connection with intent, a warrior goes through four stages. The first is when he has a rusty, untrustworthy link with intent. The second is when he succeeds in cleaning it. The third is when he learns to manipulate it. And the fourth is when he learns to accept the designs of the abstract."

- Castaneda

[Yeshu]

[Yeshu]

"The position of silent knowledge is called the third point because in order to get to it one has to pass the second point, the place of no pity.
     
Every human being has a capacity for that fluidity. For most of us, however, it is stored away and we never use it, except on rare occasions which are brought about by sorcerers, or by dramatic natural circumstances, such as a life-or-death struggle.
     
Only a human being who is a paragon of reason can move his assemblage point easily and be a paragon of silent knowledge. Only those who are squarely in either position can see the other position clearly. That was the way the age of reason came to being. The position of reason was clearly seen from the position of silent knowledge.
     
The one-way bridge from silent knowledge to reason is called "concern." That is, the concern that true men of silent knowledge have about the source of what they know. And the other one-way bridge, from reason to silent knowledge, is called "pure understanding." That is, the recognition that tells the man of reason that reason is only one island in an endless sea of islands.
     
A human being who has both one-way bridges working is a sorcerer in direct contact with the spirit, the vital force that makes both positions possible.

The spirit only listens when the speaker speaks in gestures..."

- Castaneda

[Yeshu]

In March, 1974, Horselover Fat (the alter-personality of Philip K. Dick) experiences visions of a pink beam of light that he calls Zebra and interprets as a theophany exposing hidden facts about the reality of our universe, and a group of others join him in researching these matters. One of their theories is that there is some kind of alien space probe in orbit around Earth, and that it is aiding them in their quest; it also aided the United States in disclosing the Watergate scandal and the resignation of Richard Nixon in August, 1974. Kevin turns his friends onto a film called Valis that contains obvious references to revelations identical to those that Horselover Fat has experienced, including what appears to be time dysfunction. The film is itself a fictional account of an alternative-universe version of Nixon ("Ferris F. Fremount") and his fall, engineered by a satellite called valis. (The plot of the fictitious film Valis was that of Dick's then-unpublished novel Radio Free Albemuth.) In seeking the film's makers, Kevin, Phil, Fat, and David—now calling themselves the Rhipidon Society—head to an estate owned by popular musician Eric Lampton and his wife Linda. They decide the goal that they have been led toward is Sophia Lampton, who is two-years old and the Messiah or incarnation of Holy Wisdom (Pistis Sophia) anticipated by some variants of Gnostic Christianity. In addition to healing Phil's schizophrenic personality split, she tells them that their conclusions about valis (which Fat had previously termed "Zebra") and reality are correct, and more importantly, that we should worship, not gods, but humanity. She dies two days later due to a laser accident caused by Brent Mini. Undeterred, Fat (who has now resurged) goes on a global search for the next incarnation of Sophia.

Valis has been described as one node of an artificial satellite network originating from the star Sirius in the Canis Major constellation. According to Dick, the Earth satellite used "pink laser beams" to transfer information and project holograms on Earth and to facilitate communication between an extraterrestrial species and humanity. Dick claimed that valis used "disinhibiting stimuli" to communicate, using symbols to trigger recollection of intrinsic knowledge through the loss of amnesia, achieving gnosis. Drawing directly from Platonism and Gnosticism, Dick wrote in his Exegesis: "We appear to be memory coils (DNA carriers capable of experience) in a computer-like thinking system which, although we have correctly recorded and stored thousands of years of experiential information, and each of us possesses somewhat different deposits from all the other life forms, there is a malfunction—a failure—of memory retrieval."

At one point, Dick claimed to be in a state of enthousiasmos with valis, where he was informed his infant son was in danger of perishing from an unnamed malady. Routine checkups on the child had shown no trouble or illness; however, Dick insisted that thorough tests be run to ensure his son's health. The doctor eventually complied, despite the fact that there were no apparent symptoms. During the examination doctors discovered an inguinal hernia, which would have killed the child if an operation was not quickly performed. His son survived thanks to the operation, which Dick attributed to the "intervention" of valis.

Another event was an episode of supposed xenoglossia. Supposedly, Dick's wife transcribed the sounds she heard him speak, and discovered that he was speaking Koine Greek—the common Greek dialect during the Hellenistic years (3rd century BC–4th century AD) and direct "father" of today's modern Greek language—which he had never studied. As Dick was to later discover, Koine Greek was originally used to write the New Testament and the Septuagint. However, this was not the first time Dick had claimed xenoglossia: a decade earlier, Dick insisted he was able to think, speak, and read fluent Latin under the influence of Sandoz LSD-25.

The UK edition of VALIS also included "Cosmology and Cosmogony", a chapbook containing selections from Dick's Exegesis.

https://en.wikipedia.org/wiki/Valis_(novel)

[/size]

[Yeshu]

https://en.wikipedia.org/wiki/Philo

Philo of Alexandria (20 BCE – c.  50 CE), also called Philo Judaeus, was a Hellenistic Jewish philosopher who lived in Alexandria, in the Roman province of Egypt.

Philo's deployment of allegory to harmonize Jewish scripture, mainly the Torah, with Greek philosophy was the first documented of its kind, and thereby often misunderstood. Many critics of Philo assumed his allegorical perspective would lend credibility to the notion of legend over historicity. Notwithstanding, when one actually reads Philo's works in both translated and original Greek forms, one finds Philo often advocated a literal understanding of the Torah and the historicity of such described events, while at other times finding allegorical readings more suited to the text.

Philo wrote that God created and governed the world through mediators. Logos is the chief among them, the next to God, demiurge of the world. Logos is immaterial, an adequate image of God, his shadow, his firstborn son. Being the mind of the Eternal, Logos is imperishable. He is neither uncreated as God is, nor created as men are, but occupies a middle position. He has no autonomous power, only an entrusted one.

Philo probably was the first philosopher who identified Plato's Ideas with Creator's thoughts. These thoughts make the contents of Logos; they were the seals for making sensual things during world creation. Logos resembles a book with creature paradigms. An Architect's design before the construction of a city serves to Philo as another simile of Logos. Since creation, Logos binds things together. As the receptacle and holder of ideas, Logos is distinct from the material world. At the same time, Logos pervades the world, supporting it.

Logos has the function of an advocate on behalf of humanity and also that of a God's envoy to the world. He puts human minds in order. The right reason is an infallible law, the source of any other laws. The angel closing Balaam's way (Numbers XXII, 31) is interpreted by Philo as manifestation of Logos, which acts as man's conscience.

Philo frequently engages in Pythagorean-inspired numerology, explaining at length the importance of religious numbers such as six, seven, and ten.

Philo affirms a transcendent God without physical features or emotional qualities resembling those of human beings. In Philo, God exists beyond time and space and does not make special interventions into the world because he already encompasses the entire cosmos.

Philo's notion is even more abstract than that of the monad of Pythagoras or the Good of Plato. Only God's existence is certain, no appropriate predicates can be conceived. Following Plato, Philo equates matter to nothingness and sees its effect in fallacy, discord, damage, and decay of things. This view enables Philo to combine the Jewish belief in creation with the Greek conviction about the formation of all things from the permanent matter.

Philo was more fluent in Greek than in Hebrew and read the Jewish Scriptures chiefly from the Septuagint, a Koine Greek translation of Hebraic texts later compiled as the Hebrew Bible and the deuterocanonical books.

The Septuagint translates the phrase מַלְאַךְ יְהוָה (Malakh YHWH, lit. '"Messenger of Yahweh"') as ἄγγελος Κυρίου (ángelos Kyríou, lit. '"angel of the Lord"'). Philo identified the angel of the Lord (in the singular) with the Logos. Peter Schäfer argues that Philo's Logos was derived from his understanding of the "postbiblical Wisdom literature, in particular the Wisdom of Solomon". The Wisdom of Solomon is a Jewish work composed in Alexandria, Egypt, around the 1st century BCE, with the aim of bolstering the faith of the Jewish community in a hostile Greek world. It is one of the seven Sapiential or wisdom books included within the Septuagint.

[Yeshu]

Philo's notion is even more abstract than that of the monad of Pythagoras or the Good of Plato. Only God's existence is certain, no appropriate predicates can be conceived. Following Plato, Philo equates matter to nothingness and sees its effect in fallacy, discord, damage, and decay of things. This view enables Philo to combine the Jewish belief in creation with the Greek conviction about the formation of all things from the permanent matter.

Philo was more fluent in Greek than in Hebrew and read the Jewish Scriptures chiefly from the Septuagint, a Koine Greek translation of Hebraic texts later compiled as the Hebrew Bible and the deuterocanonical books.

The Septuagint translates the phrase מַלְאַךְ יְהוָה (Malakh YHWH, lit. '"Messenger of Yahweh"') as ἄγγελος Κυρίου (ángelos Kyríou, lit. '"angel of the Lord"'). Philo identified the angel of the Lord (in the singular) with the Logos. Peter Schäfer argues that Philo's Logos was derived from his understanding of the "postbiblical Wisdom literature, in particular the Wisdom of Solomon". The Wisdom of Solomon is a Jewish work composed in Alexandria, Egypt, around the 1st century BCE, with the aim of bolstering the faith of the Jewish community in a hostile Greek world. It is one of the seven Sapiential or wisdom books included within the Septuagint.

https://www.youtube.com/watch?v=ZLcCaatUNZI