Author Topic: Spirituality and Imagination  (Read 64 times)

Offline Jennifer-

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Spirituality and Imagination
« on: January 12, 2008, 12:32:02 AM »
Spirituality and Imagination
By Tsvi Blanchard

Do you have an active imagination? If so, how does this effect your spirituality? Psychological research suggests that you are likely to be both more creative and more effective than people who lack such an imagination. A dynamic imagination does not daydream. Instead, it creates realistic possibilities for practical action. Dynamic imagination shapes our lives by continually expanding the range and scope of our individual experience and activity.

In traditional Jewish terms, the human imagination, our yetzer, good or bad, is our human self--creating alternative possibilities for responding to our personal situation. And, like it or not, we create our world in terms of our interests and purposes as well as our ideals and aspirations. In the Hasidic tradition, this means that we have to live constantly with the tension between a constricted, self-interested awareness of our world and a more expansive, self-transcending consciousness. As human beings, we are, as Rashi reminds us in his commentary on the creation story, formed of equal parts of "the upper realms" and "the lower realms." We are an alloy of heaven and earth, where each part is made stronger by the presence of the other.

Where does "spirituality" enter the picture? Of course, as with all things Jewish, there are multiple approaches to this question, each differing from the others. One very popular Jewish view holds that we become more spiritual the more we leave behind our "lower," earthly, material limits and enter an elevated, "heavenly" realm of disembodied experience. A second view suggests that spirituality resides in the human striving to bring our presently imperfect world closer to an imagined ideal world, an always-in-the-future "kingdom of heaven." Yet a third view presents spirituality as the use of an otherwise base material world for "higher purposes." In all three of these views, the "here and now of our actual, lived human existence is experienced negatively as something to rise above, to be left behind or made into something of "real value."

There is an important insight in all of these views. We do need to transcend the limits of our present situation. As corny as it sounds, we really ought to make the world a better place. And, in truth, we should be careful about how we use our world. But all this said, if we do not wish to experience our present embodied lives as fundamentally flawed, we will have to imagine a view of spirituality that has faith in our tangible life experience as we live it here and now.

I suggest that we understand the spiritual life as one that, right here and now, expands our sphere of both thought and action. Spiritual experience widens our consciousness of our relationships--past, present and future--with other people, our natural environment, even with the cosmos as a whole. And it is the active, intense imagination of the sheer interconnectedness of creation that heightens our sense of living in a world with real possibilities beyond our present limitations. As spiritual imagination enters our lives, we actually feel ourselves expanding toward the more moral, loving, even elevated worlds dreamed of in the first three views of spirituality. And we experience this not in some other place or time, but in the here and now. Spirituality lives in the moment when imagination reveals to us a world suffused with creative power and expanded possibilities.

Where is the holiness, the kedusha, of human spirituality to be found? The "realm of the Holy Spirit" is found wherever there is an intense, imaginative blending of the "lower and upper realms." Human spirituality, then, is really a verb, something we do. Spirituality lives in the here and now experience of transcending our limits and the limits of our situation. It lives in the here and now expanding of our vision and sphere of action. The holiness of imaginative spirituality cherishes both our life and our world. It is the spirituality that sees deeper into the world and our experience of it. And, in doing so, makes possible the achievement of the goals of the other three views of spirituality: the experience of what is higher, the perfection of the world, and the dedication of ourselves and our world to our most profoundly religious and moral purposes.
Without constant complete silence meditation - samadi - we lose ourselves in the game.  MM

Offline Jennifer-

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Spiritual Regeneration
« Reply #1 on: January 12, 2008, 12:45:23 AM »
Spiritual Regeneration
   

Craig Russell
     For the writer, the spiritual is a practical matter. It is about getting right our relationship with those who are poor, with those who are different and with nature. The fruit of such spiritual practice in our own neighbourhood will be community development.

Community development cannot happen without the exercise of the imagination. How can we connect reflection and action into a method that has spiritually rooted into community development? Can we open up new creative ways to integrate imagination into the cycle of experience - analysis - reflection - action?

At its most basic level empathy begins as we imagine the life of someone else.. Community development has to start with the move beyond ourselves and into someone else's shoes. This is essential if collective experience and language is to be established. Building this idea into an appropriate methodology is especially important in a diverse, multi-cultural and individualistic society. How do we develop the skills for this task with the greatest sensitivity and in the most empowering way?

Imagination is needed as we fit together an analysis of a particular area and map out the needs and strengths with which we must work. Making connections between incidents, people and attitudes demands that we go beyond the immediate, and start forming pictures to help us to see what is going on. Can we find effective ways to discern what are the dynamics of a community and gain direct means to test these out?

Reflection demands imagination as we assess the everyday life of our communities against the values, faith and principles that we hold. Prayer is an act of the imagination. As we bring our material reality into the spiritual realm we can only make sense of what we are doing if we use our imagination. Faith is also an act of the imagination. Faith is real if rooted in practical realities, but it will not survive unless it sees beyond those realities and holds a vision of what could be.

To know what action to take to bring about change we first need to see things differently. We must have a solid grip on the nature of our time and place, but we must also learn to enhance our perception of how to renew, regenerate and reaffirm the life around us. Perception links reality to vision. Vision has to be at the heart of all good community development. As well as cultivating our own powers to create visions of our communities and how they may develop, we need to have the skills to encourage the power to envision within other people, and create the methods by which visions can be shared and built up collectively. How do we make real our faith in our communities and how do we bring them closer to what our world needs or our Creator desires?

Community Development And Spirituality-A Motive

Spirituality is about the imagination but has to be about practical material realities if it is to mean anything. Smells, bells, chants and candles have been used for centuries to evoke the spiritual in a material world. They have received a revival in a truly materialistic way as the secular consumerist spirituality of 'Gregorian Girl Bands', gift shops and candle manufacturers attempt to grab the action.

Spirituality is not a higher plain, it is the world in which we all interact. A deeper spirituality is making connection with the other. This has to be more than just contact, for that can be creative or destructive, and is rarely neutral. The spiritual connection will be judged by its material outcome. Selfishness, abuse, exploitation and cultural imposition will soon be revealed through the nature of the contact. Spirituality is about motive, intent, respect for the other and these can produce beautiful and succulent fruit, but fruit can be grown that is deadly or tasteless. Love, joy, peace, patience, kindness, goodness, faithfulness, humility and self control are fruits of the spirit. Jealousy, self pride, arrogance, greed would be the start of a list to identify seeds that would produce poisonous or ugly fruit.

Otherness can be understood in many ways. Here it is explored in three ways that relate to community development. The first of these are the socially and economically marginalised. The realisation that our spiritual health is determined by our inclusion of the poor and excluded is a central tenet of many faiths. This teaching has to be applied individually, communally and in society as a whole.

The second element for spiritual growth concerns the acceptance and celebration of those who are ethnically and culturally different from ourselves. There may be a challenge to our perceptions, values or even faith through a genuine meeting with people who we have to connect with through a leap of the imagination. It is this that can stir our emotions and even disrupt our balance. This is what can lead to fear of the other and on to anger and hatred. The challenge can also develop into an interest, an admiration and a creative interchange and relationship. All the nuances of the two sides to this same experience of meeting the other need to be part of our awareness as we work towards community and spiritual understanding. The importance of the stranger is recognised in almost all faith traditions as an expression of spirituality.

Ecological commitment is the third area that provides a sustenance and expression for the spiritual. Our relationship with the rest of creation has to move beyond that of exploiter and even of steward to accepting an integrated role for humanity.

You will be right to think that this form of spirituality is very earthbound, material and practical. Spirituality is found everyday in the commonplace. It is usually in those actions that bring about liberation from selfishness, ego and pride and that build justice, harmony and sustainability.















If a spiritual language is to be retrieved from just smells and bells, the faddy and the fluffy, it has to have form and yet challenge a simple materialism.    

The universe as we know it, and we increasingly understand it, is the basis for a spiritual foundation and growth. Within this there is sufficient to stretch the most adventurous imaginings, enough to challenge what it is to be a responsible being, and ample space to dream, create and make many new things.

Spirituality has to be rooted in the practical and in relationship with others. Inclusion of the marginalised happens through acceptance, understanding and action to overcome power differentials. Welcoming of ethnic and cultural diversity will only happen as we reach beyond our own prejudgments, ethnic background and cultural niche. We have to accept that we belong to nature and that nature does not belong to us if we are ever to feel at home. Along side these three practical ways to forge spirituality would be the connection with the other in those of a different generation, gender or sexuality. Connection with the other can also be applied in relation to time and history.

If these relationships with the other are good they will take us beyond our self. Relationship and building community will need but also feed our imagination. This gives a frame for how imagination and spirituality can be integrally linked to community development.

If a spiritual language is to be retrieved from just smells and bells, the faddy and the fluffy, it has to have form and yet challenge a simple materialism. Then we may be able to again talk of the transcendent Other in a meaningful way. Spirituality can open life in all its fullness and can enable us to find more readily our roles and responsibilities in relation to the rest of creation.

Seeing Is Believing

The visual image can open possibilibes for communication and relationship potentially more free from some of the divisiveness inherent within text. There is no total escape from cultural conditioning but the image can allow for different interpretations that often words will not permit. It can be seen that the art form is that which occurs in the mind of the perceiver and not in the object itself. From this understanding communication becomes a far more fluid and less structured way of making connections.

Text has given us many problems when it comes to dealing with the spiritual. In that it has been too often assumed that words can lock in a truth for all times and places leading to religious expression based on creeds and textual formulations, and to politics based on fixed ideology. These approaches can lead not only to the suffering or death of those who will not accept the right words but also to the death of that which the words seek to hold. Having said this, images held too tightly, as a flag on the battlefield, can have the same power and killing strength as words.

Great religious leaders have tended to let their actions speak of their intent. Their spoken wisdom has usually been in pictures and stories, not of creeds and formulae. This is no accident. Some later followers have formulated systems and drawn the dotted line on which you must sign.
     

The visual is about perception. Alongside music, food, aromas and the touch, it engages the senses. It can touch parts of us than the intellect simply cannot reach. Visual art is also about memory; pictures we hold in the mind, and impressions that have shaped who we are. Images can trigger responses, ideas we have long since submerged.

Visual art connects with the emotions through colour, form and texture. Moods can be determined by what we see. Images can elicit hatred and empathy, lust and love. Visual art helps us imagine who we think we are. Aspiration is what locks us into the current economic system; image is what makes us. Image can also open the door on the realm of the transcendent in the images of the faith traditions or more contemporary images of nature, the poor, the stranger. Seeing is believing but this is also the seeing of the soul's and mind's eyes.

Regeneration

The spiritual has to be poetic, visual and profoundly practical. We are usually a long way from any of these. The word regeneration can be taken as a material metaphor of many of the themes opened up by this article. It illustrates how the substance of the spiritual has been lost in our contemporary western world, but I hope that it holds out some hope as to how our spiritual imagination and practical transformative work can be retrieved.

According to the Concise Oxford Dictionary of 1979 to regenerate means to:

    Invest with a new and higher spiritual nature; improve moral condition of, breathe new and more vigour and spiritual life into (person, institution etc.). Generate again, bring into renewed existence; form afresh. Reform oneself. Come into renewed existence.

This is a reminder of how quickly we are losing our spiritual understanding and ability to communicate on that level. Regeneration is probably more widely understood today as meaning the process by which a community is changed through material bricks and mortar redevelopment.

As a test for us we need to know how spirituality can be understood today in relation to this new meaning of regeneration. How can we meaningfully communicate about anything transcendent in a deeply secular, materialist and functionalist world? We have to establish ideas of the common good rather than lowest common denominator, ideas of the included rather than excluded, ideas of creativity not exploitation, and creation not simply seen as resources. We have a long way to go on each of these.

The wisdom of the faith traditions have a great deal to contribute, and those spiritual resources need to be mustered to engage with the challenges our world faces. We must however escape from an 'ark' mentality, for this approach in effect sends damnation on the rest of creation. Our universe is greater then our language can grasp; it is full of spiritual as well as materialist possibilities. If the spiritual is to be understood through the material realities, our imagination and inspiration from the other will enable us to see it.

Craig Russell is a sculptor and is active in community development. He coordinates the Art and Spirituality Network.
Without constant complete silence meditation - samadi - we lose ourselves in the game.  MM

Offline Jennifer-

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Re: Spirituality and Imagination
« Reply #2 on: January 12, 2008, 01:31:00 AM »
Mundus Imaginalis,
or
the Imaginary and the Imaginal
by Henri Corbin



This is what Sohravardi alluded to in his tale of "The Crimson Archangel" by the words that we cited at the beginning: "If you are Khezr, you also may pass without difficulty through the mountain of Qaf."

March 1964


Full text ---->

http://www.hermetic.com/bey/mundus_imaginalis.htm
Without constant complete silence meditation - samadi - we lose ourselves in the game.  MM

Offline Jennifer-

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The Subtle Body and Countertransference
« Reply #3 on: January 12, 2008, 01:45:26 AM »

The Subtle Body and Countertransference

If one can successfully work through the subtle body realm, there is often a chance to transform not only psychic structure but physical structure as well. (Schwartz-Salant: 25)

 

The idea of the subtle body goes back to Eastern traditions of invisible energy centres and pathways. [ii] Reich never engaged with this concept because he disliked the esoteric. He  perceived any kind of mysticism as dissociation from a direct experience of vegetative sensation in the body. (Conger)

 

Meanwhile Jung took a great interest in Buddhism, Taoism and Sufism and suggested that the Eastern idea of the subtle body could be compared to his idea of the somatic unconscious. He defines this as the unconscious as perceived in the body. Man as a living being, said Jung, outwardly appears as a material body, which inwardly manifests itself as ‘a series of images of the vital activities taking place within it. These are two sides of the same coin.’ (Jung: 173) Rather than working directly on the body, as Reich did, Jung chose to work with the symbols, knowing that they had a materiality of their own, and profoundly shifted the energy of the body.

 

Jung’s emphasis on the fruitfulness of work with imagery has influenced a whole spectrum of psychotherapies, including many streams of body psychotherapy. (see Margaret Landale’s chapter) Of these psychotherapies, only a few work explicitly with the subtle body as an energetic phenomenon. [iii] In some therapies the subtle body – or energy field - is explored directly through bodywork. [iv] In this chapter, however, I want to focus on one specific aspect of the use of the subtle body in psychotherapy, the experience of countertransference.

 

What is the subtle body?

In writing about the subtle body I am exploring a model of consciousness, which is relevant not only to psychotherapy, but to healing, creativity and life in general. The subtle body is a matrix, which actually exists; though it transcends our normal common sense understanding of reality, including ordinary parameters of space and time and sense perception. I believe that it is not the experience of the subtle body itself which is problematic – it is well within everyone’s capacity to experience it in some way – but that as a concept it defies consensual material ‘scientific’ reality.

 

The subtle body is an energy field which has a structure, which influences and gives life to the physical body. This body has several interconnected layers, but of interest here are the first four: the etheric body, the template of and interface with the physical body, where sensation is perceived; the astral/emotional body, which relates to the individual's emotional state; the mental body, which contains the thinking patterns; and the causal body, the soul or level of higher intuition.

 

According to the parapsychologist Donald Watson, ‘only when the finer (i.e. subtle) bodies are round the physical body and joined to it (in gear) is the physical body conscious (centred). When they separate from the body (step out of the body), consciousness also withdraws.’ (202) This gives us a possible model for splitting: major distortions and divisions can literally occur on and between any level(s) - sensation, feeling, thinking, or intuition - creating a variety of kinds of mind-body split.

 

The relationship between the layers is understood as a 'step-down' process, going from the finest, lightest, highest vibration to the final slow density the physical body. According to Schwartz-Salant, Jung makes a clear statement that `the subtle body refers to that part of the unconscious that becomes more and more identical with the functioning of the human body, growing darker and darker and ending in the utter darkness of matter’. (31) Another way of putting it is that our unconscious thoughts and feelings exist in the subtle body and the less access we have to them at the higher levels, the greater likelihood that they will be crystallised as physical structure and physical symptoms. In becoming denser, the patterns are pressing up against the limits of our conscious mind. This somatizing process is a step towards embodiment, and away from the more continuous dissections of the layers of the subtle body, and thus a move towards wholeness. (In Kleinian terms, a move from the paranoid-schizoid to the depressive position).

 

There are seven major chakras which are the focal points (the point of intersection between planes) for drawing in and transmuting energy from the subtle bodies into a utilisable form. A chakra is a vortex, ‘a significant gathering of organised life-energy’, and a gateway between dimensions. Clare Harvey, a complementary therapist comments that ‘the chakras may be regarded as transformers, simultaneously receiving, assimilating and transmitting energy. They are capable of gathering and holding various types of energy, and can also alter their vibrations so this energy can be used for different purposes’. (17)

 

The chakra is a vortical energy form created by two streams of energy weaving together:

One of these, flowing in the spinal cord, is thrown out from the centre and flows towards the periphery in a widening spiral; this represents the motor stream. The second stream, impinging on the surface of the etheric body, spirals inward, narrowing as it goes; this is the receptive or sensory stream. These two spirals flow parallel to one another, but in opposite directions, and may be compared to interlocking screw threads, in that one may be said to run in the grooves of the other. They give an impression of spinning, like the fluid in the vortex of a whirlpool. (Payne and Bendit, quoted in Boadella, 1987, 210)

According to Payne and Bendit, it is important that these two streams are co-ordinated with one another. If the motor or outgoing field is weak, the person is vulnerable to psychic invasion, or shock. An individual with a depleted or unstable energy field is easily overwhelmed by another person’s psychic energy.

 

This model of the chakras can help us understand how we take in information about our clients (and vice versa), and process it as sensations, feelings, fantasies, images and ultimately as intervention and interpretation. The energy which is processed through a chakra is then distributed through the body or discharged from it. Perhaps information that we block out - because it threatens to overwhelm us in some way - can hang around in our subtle bodies, potentially accumulating to the point where we become exhausted or ill.

 
Somatic Countertransference

Jung actually developed the idea that the subtle body is the medium through which projections are transmitted, but - probably because it was considered a bit esoteric - this has not been taken up by Jungians or others until recently. In The Plural Psyche, Andrew Samuels has explored the concept of countertransference in relation to the idea of a 'mundus imaginalis', an imaginal world, a third order of reality between subjective and objective. (1989: 143-74) This reflects the journey being made in some fields of psychotherapy  - in what Samuels calls ‘the countertransference revolution’ - from a largely objectifying attitude towards the client, to an approach which values ever more highly the subjective body, or somatic countertransference. (1993: 24) In this case the 'object' becomes the therapist's body sensations, feelings, images and fantasies, which, through appropriate processing can become information. This equation is: subjective + objective = awareness. Awareness suggests interest, reflection, and some degree of openness. If I have a sensation or feeling in my body which I am observing, I can neither be totally detached (because it's in me), nor totally merged (because I am looking at it).

 

This understanding has a parallel in the conclusions of quantum physicists that an individual cannot observe an event/object without altering it. The observer is a participant.  The psychotherapist is always embroiled in the client's dynamic and needs to be in order to get an 'in-sight'. Somatic countertransference can be viewed as a conscious use of a capacity for, or a tendency to, resonate. By taking the position of therapist you are implicitly agreeing to subject yourself to the distorting effect of the client's particular energy field in order to understand it (this does not preclude the client's attempts to do the same for the therapist, nor the fact that therapists have plenty of 'distortions' of their own).

 

In a chapter which surveys various definitions of and attitudes to countertransference, Andrew Samuel's makes an interesting division into 'reflective' and 'embodied' countertransference. What he calls 'reflective'countertransference, is evoked when the therapist, observing his/her own feelings, is aware that they somehow reflect the client's unconscious feelings. 'Embodied' countertransference, on the other hand, is when the therapist seems to be experiencing the client's unconscious objects - the therapist embodies ‘an entity, theme, or person of long-standing intrapsychic inner-world nature’ (1989: 151). The first seems to have more to do with identification - the therapist becomes 'one' with the client on some level - and the second is a form of

opposition - the therapist becomes 'two' with the client, taking on a role that goes beyond the immediate relationship between client and therapist.

 

Samuel's discussion of countertransference draws on the ideas of the French philosopher, Henry Corbin. Corbin's 'mundus imaginalis' ‘refers to a precise order or level of reality, located somewhere between primary sense impressions and more developed cognition. [It has] a central mediating function’. (Samuels 1989: 162-3) Corbin refers to ‘the organ of visionary knowledge’. (164). In terms of psychotherapy, writes Samuels, ‘that organ is [the therapist’s] countertransference’. This fits well with the emphasis on somatic resonance in body psychotherapy. Body psychotherapists learn to deliberately cultivate access to primary sense impressions, which form the basis of energetic perception. The physical senses connect us to a primary process, they give us a touchstone for ‘making sense’, and they provide a channel through which we can be irnpressed upon/ affected by our clients. At the same time we want to hold onto and utilise effectively our 'more developed cognition'.

 

'Imaginalis' refers to both image and ability to create forms in the mind. These words originate from the Latin, imitari, to imitate. We could then say that countertransference is a form of involuntary imitation, which, in order to be understood, has to be translated from one system to another; from an energetic vibration into a more concrete form such as a visual or sensory image, or some recognisable pattern or relationship.

 

Information can be transported between persons via any of the subtle body layers and at different levels of force and velocity, and these differences account for the varieties of experience and definition of countertranference. The model of consciousness I am using is of two fields of vibrating energy which operate in ways best described in the language of physics or music. The fields have layers of different frequencies  - they may harmonise or be dissonant in different places across the spectrum. Where two wave forms of similar frequency ‘lock into phase’ with each other, there is what might be described variously as sympathetic vibration, resonance, or rhythm entrainment. This has the effect of amplifying the pattern. In other words, when therapist and client are 'tuned in' and conscious/centred they are like to become more aware of a pattern. Schwartz-Salant comments that the subtle body ‘may be projected and imaginally perceived as operating between people. Furthermore the intermediate subtle body realm can be a conjoined body, made up of the individual subtle bodies of two people ’ (25) This gives a new dimension to the term ‘merging’ which has been used in psychoanalytic literature to describe the client’s regression to a state characteristic of infancy.

 

In projective identification, there is a more dramatic and violent energetic interaction: the client's subtle body may literally eject an idea/object/ feeling into the therapist's subtle body with considerable force. In this case, the amount of energy created by the bringing together of two parts is so great as to threaten to fragment the client's ego/body. It is like a bomb about to go off which has to be hurled into a potentially stronger container. The therapist might with various degrees of success be able to contain the explosion, or they might be swept up in a self-preservative counter action which involves throwing back the bombshell.

 

Schwartz-Salant emphasises that the active, imaginal experience of the subtle bodies coming together can create a powerful feeling of being pulled together in fusion, and then pulled apart towards separation. He argues that this is why work with the subtle body is healing for clients who have suffered critical failures around separation, allowing them to work through these splits. (22-23)

 
The Seven Chakras

Having explored the relevance of the subtle body for an understanding of countertransference, I want to look in more detail at the chakras. In all subtle body traditions, the chakras are seen as relating to specific psychological themes (grounding, sexuality, power etc), and physiological functions, for example each chakra is linked with a specific sense, gland, and nerve plexus. (Myss) In addition each chakra is associated with a particular type of psychic perceptual functioning. The root chakra, for example, gives us information on sensation. We may become aware of a holding in a client's legs through feeling how our own legs are tensing, while it is through the solar plexus that strong emotion strikes us. The heart is associated with compassion and emotional balance. The sixth chakra or third eye is clairvoyant, giving us what may be experienced as a direct insight.

 

It is the fifth chakra, the throat, that I want to explore in more depth here because it is of prime importance with regard to communication in the therapeutic setting. It is predominantly through this chakra that we process the information that is coming to us via any of the chakras or directly through the throat chakra into recognisable and communicable patterns.

 

Anodea Judith, a healer and bodyworker, explains that its Sanskrit name visuddha means ‘the ordering principle (from vis, to be active, and shud, to call [in the sense of name] and dha, to put)’. (Judith: 264) The fifth chakra is the realm of consciousness that controls, creates, transmits and receives communications. These communications - or patterns of energy - are symbolised for storage and use in the brain, whether in the form of words or images. The throat chakra's inner state relates to the synthesis of ideas into symbols, thus drawing limits and decreasing the level of abstraction.  (It is one thing to 'pick up' energy, it is quite another to be able to describe coherently what you have picked up) It includes the capacity to create meaning from information. This is important - for it is in ascribing meaning that we move from merely 'vibrating with' to giving the information a context, and a more explicit relationship to the here and now interaction. Jung comments that the throat chakra is the place where we learn to own our projections.  This underscores its relevance for psychotherapy, where other traditions – such as healing, meditation, or yoga – might emphasise the importance of the heart chakra, or the third eye.

 

Sound (vibration) is the element of the fifth chakra, both expressive sound and articulate speech. When expressed in language,  the information is released from the therapist's body and may find its home in a new way in the client.Thoughts voiced with feeling – by client or therapist – create vegetative movements which cleanse and re-balance. According to Judith Anodea the throat chakra is strongly associated with and activated through the hands.   This connection supports my own experience that work with the hands  - for example, massage – can heighten the ability to synthesise information from many different levels,  creating powerful images that succinctly encapsulate the client’s energetic state. The hands also act as intelligent reflectors, giving back the client his/her vibration combined with the vibration of the therapist’s perception and intention.

 

I have focussed on the fifth chakra because it plays a significant role in mediating between the conscious and unconscious, between self and other. Of course all chakras are equally important and work in concert. An open root chakra keeps us grounded and in touch with the matter-of-fact reality of individual bodies, two separate people. The seventh chakra consciousness, on the other hand, is about non-separation, everything as connected. The heart chakra is the balance point , but it is through the throat chakra that understanding can be defined and focussed. ‘What is’ can be symbolised and therefore known.

 

The therapist’s ability to utilise their fifth chakra helps maintain a necessary level of separateness while remaining connected. It also challenges the notion that energetic perception is only conceivable in terms of the archaic, primitive, regressive or symbiotic. Even with ideas as esoteric as the subtle body, it is possible to be rigorous as a psychotherapist, both in terms of challenging as well as supporting the client, and in terms of appropriate reflection on one’s psychotherapeutic work. The therapist’s perceptions are always pushed through the mesh of their own consciousness, so that whatever blind spots, unresolved issues and points of tension are in their subtle bodies will affect the process. Clients have an uncanny ability to use their  own subtle body perceptions to hook onto, penetrate or overwhelm parts or all of the therapist’s subtle body.

 

Most therapies that work with the subtle body focus on the healing process in an individual, with the facilitation of another.  Psychotherapeutic work with the subtle body, however, explores the subtle body as it emerges in the relationship between client and therapist, as an aspect of transference and countertransference. When the two subtle bodies are interacting, it is felt as ‘a change in the quality of space between them’, a more energised, heightened state. (Schwartz-Salant, 21) [v] Such is the quality of the change in atmosphere, that a sense of peeling away layers of history can be evoked. The Jungian Roger Woolger, for example, explicitly uses subtle body work to work with past lives and trauma.

 

My own experience is most often of the face of my client changing as though masks are being pulled off one by one to reveal older, deeper identities. The faces seem to present very powerful aspects of the individual that may have been repressed and distorted through fear. They may embody fantasy figures such as a witch or a pirate. The therapist needs the capacity to tolerate these heightened states, precisely because they hold the unconscious feelings from which the client has split off. The client’s intense anxiety is part of a process of embodiment, and the therapist’s task is to remain embodied as the heat is turned up. Schwartz-Salant argues that ‘such subtle body encounters strengthen psychic structure and build a firmer mind-body unity, one which is less afflicted by splitting and projective identification’. (23) At key moments in this process it is as if the subtle bodies are linked in a dance: a dance between two subtle bodies which may be imaged as nurturing, grotesque, comical, erotic, barbaric, playful, sombre, scintillating…

 

 

Notes

This essay is based on an article originally written for the AChP Newsletter no 9,  Summer 1997 as part of an ongoing discussion of the nature of countertransference. My original article was a commentary on and dialogue with articles by Babette Rothschild, Ray Holland and Tree Staunton in issues 7&8.

[ii] The subtle body has been extensively covered in literature since ancient times. It encompasses many traditions and practices. The most up-to-date integrative analysis of the subtle body in terms of spiritual  traditions and modern Western medicine is to be found in Caroline Myss’ The Anatomy of the Spirit.

[iii] For a comprehensive account of the influence of Jung in the body psychotherapy tradition, see Boadella 1990

[iv] Many holistic therapies work with the energy body – healing, therapeutic touch, Reiki, Polarity, intuitive massage. The emphasis is usually on integrating mental, emotional, physical and spiritual through hands-on work, which creates in the client a heightened experience of the subtle body. This is distinct from psychotherapy which works explicitly with the relationship between the client and therapist.

[v] Schwartz-Salant has developed this psychotherapeutic subtle body work most fully. His books on Narcissism and Character Transformation (Inner City, Toronto, 1982) and Borderline Personality are full of dynamic illustrative case material. The training at Chiron has been influenced by the Jungians, especially Redfearn, Hillman, and Schwartz-Salant.

 
Without constant complete silence meditation - samadi - we lose ourselves in the game.  MM

Offline Zamurito

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Re: Spirituality and Imagination
« Reply #4 on: January 12, 2008, 02:04:00 AM »
You find the best articles  ;)

Thanks!

z
"Discipline is, indeed, the supreme joy of feeling reverent awe; of watching, with your mouth open, whatever is behind those secret doors."

Offline Jennifer-

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Re: Spirituality and Imagination
« Reply #5 on: January 12, 2008, 02:11:07 AM »
 :)
Without constant complete silence meditation - samadi - we lose ourselves in the game.  MM

Offline Jennifer-

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Soul Loss & Soul Making
« Reply #6 on: January 12, 2008, 02:20:10 AM »
Soul Loss & Soul Making
Kabir Helminski


http://www.sufism.org/books/sacred/souloss.html
Without constant complete silence meditation - samadi - we lose ourselves in the game.  MM

nichi

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Re: Soul Loss & Soul Making
« Reply #7 on: January 12, 2008, 02:30:53 AM »
Soul Loss & Soul Making
Kabir Helminski


http://www.sufism.org/books/sacred/souloss.html

One of my favorite essays ... anything by Helminski: good stuff.

 

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